Odes to Joy

Bouba & Kiki, Vol II: Is Dirty / Sounds Clean · Track 58 · middle

The Northern English Strange Form (Nadgers)

*Nadgers.* Manchester-Liverpool. Cousin Hornswoggle's mother used it as a dismissal: *Nadgers to that.*

Lyrics

Manchester. 1955.
The damp seeped through the window frames.
Always gray. Always cold.
The kitchen was the only warm room in the house.
Smelled of boiled cabbage and coal smoke from the hearth.
And my mother, standing at the stove, her back to me.
She didn't say much. Didn't have to.
Her hands were her argument.
The scrubbing brush. The rolling pin.
But she had this one phrase.
A wall she could build in three syllables.
"Nadgers to that," she'd say.
Just like that. A sharp little chop.
It wasn't about the bits on a bloke.
Not the way the fellas used it down the pub.
For her, it was a closed door.
The final word.
Nadgers to that.
The letter from the landlord, with its red ink.
She'd read it once, fold it small.
"Nadgers to that." And into the fire it went.
Mrs. Gable from next door, leaning over the fence with gossip.
A thin smile. A nod.
And later, to the quiet of the kitchen, "Nadgers to her."
The Prime Minister on the wireless, making promises.
She’d just scoff, wipe her hands on her apron.
You know what she said.
"Nadgers to that," she'd say.
A clean cut. A final punctuation.
It wasn't the anatomical chart version.
It was the sound of a woman who'd had enough.
Her own private veto.
Nadgers to that.
I heard it later, down on the Liverpool docks.
Shouted over the noise of the cranes.
A different word in their mouths. A joke. A bit of swagger.
Heard it in the snug at The King's Head, over a pint of bitter.
Muttered into the glass.
But they never said it like she did.
Theirs was a punchline.
Hers was the bloody punch.
Sometimes I find myself saying it now.
Staring at a bill I can't pay.
Or a fool on the television.
It comes out in her voice.
Not mine.
That little Manchester kitchen.
That final, perfect wall.
Nadgers.
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