Odes to Joy

Bouba & Kiki, Vol II: Is Dirty / Sounds Clean · Track 71 · middle

The Russian Filler We Studied for Three Months (Blyad (reprise))

Reprise. Kiki has now mastered Russian filler-curse placement. Native speakers approve.

Lyrics

[Intro]
The machine is cold to the touch.
October 2017.
The last reel of the study.
Three months for a single cog in the sentence.

[Verse 1]
Vladimir Dahl wrote it down in 1863.
Just a word.
But the dictionary doesn't show you where it lives.
Between the noun and the verb.
Before the sudden stop.
After the thought you didn't finish.
I played the tape. Rewound. Played it again.
My tongue felt thick. Incorrect.
A foreign object in my own mouth.

[Chorus]
And then the placement, blyad, it clicked.
Not for anger. Not for shock.
Just a stitch in the fabric of a phrase.
A comma made of sound.
The tutor on the tape, he paused.
And on the recording, you can hear him nod.
He says, "Da. Vot tak." Yes. Like that.

[Verse 2]
The classroom smelled of chalk dust and damp wool coats.
The radiators hissed.
We broke for black rye bread and kvass that tasted of the earth.
He spoke about the weather, the metro, his daughter.
And the word was there.
A little stone to step on in the river of his speech.
My blue ballpoint pen underlined the silence it occupied.
The cassette is labeled: Russian Swear Study.
Final session.

[Chorus]
And then the placement, blyad, it clicked.
Not for meaning. Just for rhythm.
A stitch in the fabric of a phrase.
A comma made of sound.
The tutor on the tape, he paused.
And on the recording, you can hear him nod.
He says, "Da. Vot tak." Yes. Like that.

[Bridge]
It is not lexical. It is structural.
The weight of it holds the next word up.
It is the pause where the breath is taken.
The space between the gears.
For ninety days, I studied the space.
The shape of conversational air.
The moment a curse becomes punctuation.
The moment it becomes correct.

[Outro]
"Yes. Like that."
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