Tête à Sisukiro, Vol. I: Le Corps · Track 11 · middle
Proprioception
Proprioception
Lyrics
[Intro] (piano — played as if the pianist has her eyes closed, trusting her hands to find the keys) (strings enter like a body settling into a chair it knows by feel) [Verse 1] Close your eyes Raise your left hand You know where it is Without looking That knowing has no name In the daily language The way water has no taste When it's the only thing You've ever drunk But take it away — The knowing — And the hand becomes A rumour Your body once believed But can no longer verify Tôi từng bị sốt cao — I had a fever once And for three hours My hands belonged to the furniture I could see them On the bedsheet But the bedsheet Was another country And my hands Had not applied for visas [Chorus] (building — strings, piano, the waltz grounding itself) Proprioception, proprioception The body's conversation with itself Proprioception, proprioception The glass finds the hand That finds the shelf That finds the floor That finds the foot That didn't ask directions Because the asking And the knowing Were the same muscle And the muscle Has been speaking Since before the mouth Learned how [Verse 2] (just voice and plucked strings, intimate) Tôi nhớ lần đầu tiên đi giày cao gót I remember the first time in heels And the floor became a thesis I hadn't read And the thesis said: You have always known the ground But the ground has been promoted To a different altitude And the altitude has opinions About your ankles A dancer knows this sense Better than the doctors She closes her eyes And her body draws a map Of the room From the inside Using nothing but the weight Of her own attention On her own bones And the bones answer The way petrified cedar answers rain — Slowly And from a very old place [Chorus] Proprioception, proprioception The body's conversation with itself Proprioception, proprioception The glass finds the hand That finds the shelf [Bridge] (everything drops — voice alone, eyes closed) Bà ngoại tôi — my grandmother Could walk her kitchen blindfolded Not because she'd memorised it But because her kitchen Had moved inside her body The counter lived in her hip The stove lived in her right turn The drawer with the bánh mì knife Lived in the exact distance Between her elbow And the feeling Of being home And when she moved to the city And the kitchen changed Her body mourned the old one For a year Reaching for counters That had emigrated Opening drawers In the wrong country Her proprioception Homesick For a room That still lived In her bones Long after the bones Had left the room [Outro] (piano returns — the eyes-closed playing, trusting, finding the keys) Proprioception (softly, the village accent present) Tôi biết tôi ở đâu — I know where I am Not because I look Because the body Keeps its own address book And the address book Is older than the addresses (strings settle — the body arriving in itself)