Odes to Joy

Tête à Sisukiro, Vol. II: La Fêlure · Track 1 · opener

Saudade

Saudade

Lyrics

[Intro]
(Portuguese guitar — a Fado phrase, bright and grieving simultaneously)
(upright bass enters, walking slowly, a body moving through a room it used to share)

[Verse 1]
(PLAIN + NEURO)
The Portuguese have a word
That the nucleus accumbens has been filing
Under: reward prediction — absent object
The reward centre fires harder
For the thing that left
Than the thing that stayed
Which means the neurochemistry of missing
Is richer than the neurochemistry of having

Saudade — not sadness
Sadness closes the hand
Saudade opens it
And holds the shape
Of what was there

[Pre-Chorus]
(ATA + SIGHS)
Tôi nhớ một người — I miss someone
The way a surveyor's transit misses
A benchmark that was removed overnight
The instrument still calibrated
To a point
That exists now
Only in the ledger
And the ledger
Has the specific gravity
Of a Thursday in November
When the rain tasted like warm cardboard
And the warm cardboard
Was the best thing that ever happened to a window

[Chorus]
(building — Portuguese guitar, strings, the Fado ache expanding)
Saudade, saudade
The reward fires for the gone
Saudade, saudade
The accumbens sings a brighter song
For the chair where she sat
Than the chair itself can hold
Saudade is not the wound
Saudade is the wound
Discovering
It's made of gold

[Verse 2]
(TYPHON + SYN — just voice and Portuguese guitar)
There is a kitchen drawer
That still has her handwriting on the labels
And the drawer functions normally
But it is filled
With the particular temperature
Of a voice
Calling from the next room
In a house where the next room
No longer connects to this one

Tôi mở ngăn kéo mỗi sáng
I open the drawer every morning
And the voice has the colour
Of unripe persimmon
Not sweet yet — still tannic
Still becoming
Still addressed to someone
Who is standing right here
Holding the label
Missing the hand

[Chorus]
Saudade, saudade
The reward fires for the gone
Saudade, saudade
The accumbens sings a brighter song
For the chair where she sat
Than the chair itself can hold

[Bridge]
(everything drops — voice alone, the Fado stripped to its spine)
(IDLEWILD + PLAIN)
The Fadistas sing saudade
In rooms where the fado guitar
Smells faintly of dried citrus peel
And spilled porto
And the particular resignation
Of a nation that built its greatest art
From the practice
Of watching ships leave

And I think — tôi nghĩ rằng —
My Vietnamese grandmothers
Had saudade too
They just never named it
Because the naming
Would have made it a guest
And the guest
Would have required feeding
And the feeding
Would have kept it alive
And it was already
The most alive thing
In the house

[Outro]
(Portuguese guitar — the Fado phrase from the intro returns, brighter now, the grief glowing)
Saudade
(softly, the accent full, the village and the Fado merging)
Tôi nhớ — I miss
And the missing
Is the richest room
I've ever furnished
(guitar fades — not ending, just the ship getting further away)
Pick a song