Tête à Sisukiro, Vol. II: La Fêlure · Track 9 · middle
L'Esprit de l'Escalier (Staircase Wit)
L'Esprit de l'Escalier (Staircase Wit)
Lyrics
[Intro] (footsteps descending a staircase — each step a beat, each landing a pause) (harpsichord — a clever figure that arrives one bar late, chasing itself) (the melody is always one step behind where it should be) [Verse 1] (NORMAL + IDLEWILD) Diderot named it After leaving a dinner party at the home of Jacques Necker He was insulted at the table And said nothing And on the staircase — l'escalier — The perfect reply arrived Wearing a tailored suit And carrying a dry martini And the martini was wasted On a stairwell That had no appreciation For rhetoric The prefrontal cortex Was still processing the insult The way a customs office processes a complaint Filed in a language It technically speaks But has never once dreamed in [Pre-Chorus] (SIGH + ATA) And the default mode network replayed the dinner At 2 AM in his bedroom And the replay had better lighting And the dialogue had been Quietly audited By a department That doesn't exist during business hours But produces its finest work In the dark [Chorus] (building — playful, the wit arriving with a flourish that's slightly too late) L'esprit de l'escalier, l'esprit de l'escalier The staircase where the genius lives L'esprit de l'escalier, l'esprit de l'escalier The prefrontal cortex finally forgives Itself for being slow And delivers the line To an empty room At a quarter past wine And the room is impressed And the room is a staircase And the staircase Doesn't care [Verse 2] (TYPHON + IDLEWILD — just voice and piano, rueful) Imagine an elevator Where every floor is a conversation You handled badly And the buttons are labeled With the things you should have said And you press them all And the elevator stops at each floor And the doors open Onto the same empty hallway Where a woman in a fox stole Is applauding But she's a tincture of your own imagination Brewed from hawthorn And the specific regret That only ferments In the hours between midnight And the second glass [Chorus] L'esprit de l'escalier, l'esprit de l'escalier The staircase where the genius lives L'esprit de l'escalier, l'esprit de l'escalier The prefrontal cortex finally forgives Itself for being slow And delivers the line To an empty room At a quarter past wine [Bridge] (everything drops — just voice and footsteps descending, the comedy becoming tender) (SIGH → NORMAL) The cruelty isn't the slowness The cruelty is the perfection The 2 AM version is always better Than anything the moment could have held Because the moment had a pulse And a context And a face across the table That the prefrontal cortex Was too busy reading To also answer (one harpsichord note — late, of course) And maybe the staircase Is where the genius lives Because the staircase Is where the performance stops And the thinking starts And the thinking Was always going to be Better Than the speaking Because speaking is live And live is a room full of furniture That the mouth has to navigate In real time And thinking is an empty staircase Where the only furniture Is hindsight And hindsight Has perfect posture And all the time In the world [Outro] (the harpsichord finally catches up to itself — the melody landing on time for the first and only time) L'esprit de l'escalier (softly, wry, putting on the coat) The perfect thing Said to no one At the perfect time Which was too late Which was always Going to be Too late (footsteps reach the bottom of the stairs — a door opens onto the street) (the cold air of a Parisian night — and the line, still perfect, still useless, carried home in a pocket)