Odes to Joy

Tête à Sisukiro, Vol. II: La Fêlure · Track 9 · middle

L'Esprit de l'Escalier (Staircase Wit)

L'Esprit de l'Escalier (Staircase Wit)

Lyrics

[Intro]
(footsteps descending a staircase — each step a beat, each landing a pause)
(harpsichord — a clever figure that arrives one bar late, chasing itself)
(the melody is always one step behind where it should be)

[Verse 1]
(NORMAL + IDLEWILD)
Diderot named it
After leaving a dinner party at the home of Jacques Necker
He was insulted at the table
And said nothing
And on the staircase — l'escalier —
The perfect reply arrived
Wearing a tailored suit
And carrying a dry martini
And the martini was wasted
On a stairwell
That had no appreciation
For rhetoric

The prefrontal cortex
Was still processing the insult
The way a customs office processes a complaint
Filed in a language
It technically speaks
But has never once dreamed in

[Pre-Chorus]
(SIGH + ATA)
And the default mode network replayed the dinner
At 2 AM in his bedroom
And the replay had better lighting
And the dialogue had been
Quietly audited
By a department
That doesn't exist during business hours
But produces its finest work
In the dark

[Chorus]
(building — playful, the wit arriving with a flourish that's slightly too late)
L'esprit de l'escalier, l'esprit de l'escalier
The staircase where the genius lives
L'esprit de l'escalier, l'esprit de l'escalier
The prefrontal cortex finally forgives
Itself for being slow
And delivers the line
To an empty room
At a quarter past wine
And the room is impressed
And the room is a staircase
And the staircase
Doesn't care

[Verse 2]
(TYPHON + IDLEWILD — just voice and piano, rueful)
Imagine an elevator
Where every floor is a conversation
You handled badly
And the buttons are labeled
With the things you should have said
And you press them all
And the elevator stops at each floor
And the doors open
Onto the same empty hallway
Where a woman in a fox stole
Is applauding
But she's a tincture of your own imagination
Brewed from hawthorn
And the specific regret
That only ferments
In the hours between midnight
And the second glass

[Chorus]
L'esprit de l'escalier, l'esprit de l'escalier
The staircase where the genius lives
L'esprit de l'escalier, l'esprit de l'escalier
The prefrontal cortex finally forgives
Itself for being slow
And delivers the line
To an empty room
At a quarter past wine

[Bridge]
(everything drops — just voice and footsteps descending, the comedy becoming tender)
(SIGH → NORMAL)
The cruelty isn't the slowness
The cruelty is the perfection

The 2 AM version is always better
Than anything the moment could have held
Because the moment had a pulse
And a context
And a face across the table
That the prefrontal cortex
Was too busy reading
To also answer

(one harpsichord note — late, of course)

And maybe the staircase
Is where the genius lives
Because the staircase
Is where the performance stops
And the thinking starts
And the thinking
Was always going to be
Better
Than the speaking

Because speaking is live
And live is a room full of furniture
That the mouth has to navigate
In real time
And thinking is an empty staircase
Where the only furniture
Is hindsight
And hindsight
Has perfect posture
And all the time
In the world

[Outro]
(the harpsichord finally catches up to itself — the melody landing on time for the first and only time)
L'esprit de l'escalier
(softly, wry, putting on the coat)
The perfect thing
Said to no one
At the perfect time
Which was too late
Which was always
Going to be
Too late
(footsteps reach the bottom of the stairs — a door opens onto the street)
(the cold air of a Parisian night — and the line, still perfect, still useless, carried home in a pocket)
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