Tete a Sisukiro · Track 17 · opener
Frisson
frisson — music chills, the reward fires during anticipation
Lyrics
[Intro] (strings — building a chord that doesn't resolve yet, holding, holding) (the tension is the point — the frisson lives in the almost) (then: the chord resolves — and the harp arrives on the resolution like rain on a window you'd forgotten was open) [Verse 1] The French called it frisson Which means the shiver But the shiver isn't cold The shiver is the skin Applauding something That the mind hasn't named yet The arm hair rises Like a field of wheat Convinced by a wind That hasn't arrived But sent a letter ahead And the letter Was a chord And the chord Contained a room You lived in once But couldn't find on a map Until the music Drew it for you [Pre-Chorus] (strings tightening again, the next wave building) And the strange part — The beautiful clockwork of it — The reward doesn't come When the chord arrives The reward comes just before In the almost In the leaning-toward The quarter-second When the body knows What's coming And the knowing Is better than the getting Every time [Chorus] (the resolution — full strings, harp, piano, the frisson-inducing moment) Frisson, frisson The skin casting a vote The mind hasn't called Frisson, frisson A chord that opens a hall You didn't know you'd built From the collected residue Of every time A song found the lock Your collarbone had been keeping For exactly this [Verse 2] (stripped — just voice and piano, intimate, post-frisson) I felt it once on the Pont Neuf A busker playing something On a dented trumpet That had the shape of a question My grandmother might have asked If she'd had a trumpet Instead of a kitchen And the question Went up my arms Like a census of small fires Each one confirming: Yes I am still capable Of being found By a sound I didn't send for [Chorus] Frisson, frisson The skin casting a vote The mind hasn't called Frisson, frisson A chord that opens a hall You didn't know you'd built [Bridge] (strings building one more time — the biggest swell, designed to actually trigger it) The reason it works Is that the body remembers What the mind is still translating The chord is a key But the door it opens Isn't in front of you It's behind you It's the door you came through When you were too young To know you were entering And the entering Was the first music And the music Was someone's voice And the voice Was not singing It was just speaking And the speaking Was enough (the strings resolve — hold — the biggest, warmest chord) And the arm hair knows this Before you do And the knowing Is the frisson [Outro] (the resolution sustains — then slowly fades, the goosebumps settling) Frisson (softly, the skin still raised) The almost The leaning-toward The door behind you Opening (harp — one note, the last shiver, then warmth)