Tete a Sisukiro · Track 23 · closer
Mille Soupirs Parfaits I
physiological sigh — the overture, the first breath of a thousand
Lyrics
[Intro] (a double inhale — recorded, real, close to the mic) (then the long exhale — and on the exhale, a harp note, riding the air out) (piano follows the shape of the lungs, not a metronome) [Verse 1 — Sisukiro] (PLAIN + NEURO) The physiological sigh Is a double inhale and a long release The alveoli that collapsed under the weight Of twenty-three songs of paying attention Reopen like a bakery at dawn And the release carries out The carbon dioxide And the particular residue Of a morning spent Being a body This is the first sigh Of a thousand And the first is always a promise That the diaphragm makes To the vagus nerve Without consulting anyone [Verse 2 — Orikusis] (her voice, low, the village present) (TYPHON + SYN) Tôi thở ra — I exhale And the exhale fills a corridor In the ribcage That was furnished with the day's wrong temperatures And the corridor empties And the emptying Has the colour of unbleached linen Held to a window Where the afternoon Is deciding whether to forgive you Một nghìn — a thousand Mỗi tiếng thở dài là một phong bì Each sigh is an envelope The diaphragm addresses To no one in particular And the postage is free And the contents are the weight You didn't know you were carrying Until the carrying stopped [Chorus — Both] (building gently — strings, harp, piano, both voices) (ATA + SIGHS) Mille soupirs parfaits, mille soupirs parfaits The vagus nerve's opening statement Mille soupirs parfaits, mille soupirs parfaits A lease agreement between the lungs And the afternoon Notarized by the parasympathetic system Whose office hours Are whenever you remember To let the air Leave [Bridge — Both] (stripped to voices only — the simplest moment) (PLAIN) This is the overture The second sigh will be a rest The third will be the full release But this one — the first — Is just the promise That somewhere between The boulangerie and the chromosome There will be enough air To say what the body spent Twenty-three songs learning: That the exhale Is not the giving up The exhale Is the evidence That the inhale Was worth it [Outro — Both] (the double inhale returns — then the long exhale, both voices sighing together, almost synchronized, not quite) Mille soupirs parfaits (whispered, both) The first (harp — one note, riding the air out) (accordion holds one warm chord — the Volume I chord) (silence) (spoken softly:) Fin de l'Acte III — Le Corps