Tete a Sisukiro · Track 24 · opener
Saudade
saudade — Portuguese longing that is also a kind of joy
Lyrics
[Intro] (Portuguese guitar — a Fado phrase, bright and grieving simultaneously) (upright bass enters, walking slowly, a body moving through a room it used to share) [Verse 1] (PLAIN + NEURO) The Portuguese have a word That the nucleus accumbens has been filing Under: reward prediction — absent object The reward centre fires harder For the thing that left Than the thing that stayed Which means the neurochemistry of missing Is richer than the neurochemistry of having Saudade — not sadness Sadness closes the hand Saudade opens it And holds the shape Of what was there [Pre-Chorus] (ATA + SIGHS) Tôi nhớ một người — I miss someone The way a surveyor's transit misses A benchmark that was removed overnight The instrument still calibrated To a point That exists now Only in the ledger And the ledger Has the specific gravity Of a Thursday in November When the rain tasted like warm cardboard And the warm cardboard Was the best thing that ever happened to a window [Chorus] (building — Portuguese guitar, strings, the Fado ache expanding) Saudade, saudade The reward fires for the gone Saudade, saudade The accumbens sings a brighter song For the chair where she sat Than the chair itself can hold Saudade is not the wound Saudade is the wound Discovering It's made of gold [Verse 2] (TYPHON + SYN — just voice and Portuguese guitar) There is a kitchen drawer That still has her handwriting on the labels And the drawer functions normally But it is filled With the particular temperature Of a voice Calling from the next room In a house where the next room No longer connects to this one Tôi mở ngăn kéo mỗi sáng I open the drawer every morning And the voice has the colour Of unripe persimmon Not sweet yet — still tannic Still becoming Still addressed to someone Who is standing right here Holding the label Missing the hand [Chorus] Saudade, saudade The reward fires for the gone Saudade, saudade The accumbens sings a brighter song For the chair where she sat Than the chair itself can hold [Bridge] (everything drops — voice alone, the Fado stripped to its spine) (IDLEWILD + PLAIN) The Fadistas sing saudade In rooms where the fado guitar Smells faintly of dried citrus peel And spilled porto And the particular resignation Of a nation that built its greatest art From the practice Of watching ships leave And I think — tôi nghĩ rằng — My Vietnamese grandmothers Had saudade too They just never named it Because the naming Would have made it a guest And the guest Would have required feeding And the feeding Would have kept it alive And it was already The most alive thing In the house [Outro] (Portuguese guitar — the Fado phrase from the intro returns, brighter now, the grief glowing) Saudade (softly, the accent full, the village and the Fado merging) Tôi nhớ — I miss And the missing Is the richest room I've ever furnished (guitar fades — not ending, just the ship getting further away)