Tete a Sisukiro · Track 45 · middle
Le Temps Qui Reste
time's purpose — two adversaries at a café table
Lyrics
[Intro] (a clock ticking — but slower than a real clock, as if time is tired of keeping time) (cello enters — Chronos's voice before his voice) (piano enters — Sisukiro's, answering) [Verse 1 — Sisukiro] (voice and piano, direct, a question being placed on a table) I've been meaning to ask you Since the morning when you sat down uninvited And ordered nothing And drank it slowly What is time for? Not what time does — I know what time does Time does the grinding and the sanding And the quiet relocation of the furniture I've seen your work But what is it for? The insular cortex tracks the seconds The striatum beats its frequency But neither of them has filed a purpose statement And I've checked [Verse 2 — Chronos] (his voice — gravelly, the slowest delivery on the album, distorted bass underneath) You're asking the river What water is for And the river would like to remind you That it was here before the question And will be here after the question Has been composted by the answer And the answer has been composted by the next question And the next question Is also: what is time for (beat) Time is not for anything Time is the for Time is the preposition Not the noun You keep looking for the destination And I keep telling you I'm the road [Pre-Chorus — Both] (cello and piano together, the tension tender) And the afternoon is getting longer Or shorter — I can't tell And the insular cortex Has stopped keeping score Because the score was never the point The point was the keeping [Chorus — Both] (building — strings, muted trumpet, the weight and the light in conversation) Le temps qui reste, le temps qui reste The time that remains when the purpose is gone Le temps qui reste, le temps qui reste The road that continues after the destination's done She says meaning — he says distance She says why — he says how long And the café table between them Is the only thing They've ever agreed on [Verse 3 — Trading] (rapid, intimate, the conversation heating up) (Sisukiro:) If time has no purpose then the sigh has no purpose (Chronos:) The sigh has function — function isn't purpose (Sisukiro:) If function isn't purpose then the baker has no purpose (Chronos:) The baker has a morning — a morning isn't purpose (Sisukiro:) Then what do you call the bread? (Chronos:) I call it temporary (Sisukiro:) The bread is warm (Chronos:) The bread is cooling (Sisukiro:) The bread is here (Chronos:) ...yes The bread is here (long pause — just the clock, slower than ever) (Chronos, quieter:) And the here is the part I can't explain The here is the part that isn't mine The here belongs to you And your sister And the café And the bread And I'm just the road it's all sitting on And the road doesn't know Why the picnic chose this spot But the road is If I'm being honest Grateful for the crumbs [Chorus — Both] (full, the bittersweet at its most tender) Le temps qui reste, le temps qui reste The time that remains when the purpose is gone Le temps qui reste, le temps qui reste The road that continues after the destination's done She says meaning — he says distance She says why — he says how long And the café table between them Is the only thing They've ever agreed on [Bridge — Both] (everything drops to just voices — no instruments, two people talking) (Sisukiro:) Do you get tired? (Chronos:) That's like asking the floor if it gets tired of being stood on (Sisukiro:) Does the floor get tired? (Chronos:) ...yes (Sisukiro:) Then rest (Chronos:) I can't — resting is what happens inside time I can't rest inside myself That's like asking a bottle to pour itself a drink (pause) (Sisukiro:) Then I'll sit with you While you can't rest And that won't fix anything But it will mean That the road For one afternoon Had company (Chronos, barely audible:) That's the closest thing to purpose Anyone has ever offered me (piano and cello — together, for the first time playing the same note) [Outro] (the clock ticking returns — but now it sounds less tired, or maybe just less alone) Le temps qui reste (both, softly) The bread is here The bread is cooling The bread is here (the clock fades) (the cello sustains — one note, warm, holding) (the piano answers — one note, warm, holding) (they hold together — then release)