Tete a Sisukiro · Track 58 · middle
Tip of the Tongue
tip of the tongue — almost remembering in three languages
Lyrics
[Intro] (piano — a phrase that starts confidently then stops mid-note, as if it forgot where it was going) (it tries again — gets further — stops again) (clarinet enters, also hesitating, searching for the melody) (the song itself is experiencing the tip-of-the-tongue phenomenon) [Verse 1] Tôi biết từ đó — I know the word It starts with — no It starts with the feeling of starting With a sound that has the shape of a door handle That your hand has closed around In the dark And you know the door is there And you know the handle is brass And you can feel the temperature of the answer But the door Will not Cái từ đó ở ngay đây — the word is right here On the tip of my tongue Which in French is sur le bout de la langue Which in Vietnamese is ở đầu lưỡi And the tongue in all three languages Is reaching Like a woman on a balcony Reaching for a hat That the wind has made Its own [Pre-Chorus] (clarinet finds a phrase — then loses it again) The temporal lobe is buffering The way a café waiter buffers When you order something That he definitely knows how to make But the name has slipped Behind the espresso machine And he's standing there With the posture of someone Whose competence is being quietly audited By a cup [Chorus] (building — but the build keeps pausing, reaching, almost arriving) Bout de la langue, bout de la langue Ở đầu lưỡi — right there on the tip Bout de la langue, bout de la langue The retrieval system's fingers slip I can feel the word's weight I can feel its number of syllables I know it rhymes with something That tastes like the feeling of an almost-kept promise And the promise had — had — (the music stops — one beat of total silence) I've lost it again [Verse 2] (just voice and hesitant piano, intimate, frustrated, half-laughing) The blocking effect — that's the clinical name Another word sits in the target's chair Like a squatter with excellent posture And refuses to leave and the real word Is standing outside in the rain Perfectly dressed Holding the reservation That says eight o'clock, table for one And the maître d' is apologetic But the chair is taken Tôi tìm trong tiếng Việt — I search in Vietnamese Và nó không có ở đó And it's not there either I search in French — pas là non plus Three languages and not one of them Will give me back the word That I lent them On a Tuesday When I was too trusting And the word was too beautiful To be kept in just one mouth [Pre-Chorus] (clarinet tries the phrase again — gets closer — almost — ) The phonological loop is spinning Like a revolving door That keeps showing you the street You're trying to reach Through the glass And the glass is your own skull And the street is the word And the word is waving at you From across a distance That has the exact measurements Of a cruelty designed by someone Who loved you [Chorus] (fuller — the reaching more urgent now, the almost-arrival more aching) Bout de la langue, bout de la langue Ở đầu lưỡi — right there on the tip Bout de la langue, bout de la langue The retrieval system's fingers slip I can feel the word's weight I can feel its number of syllables I know it rhymes with something That tastes like the feeling of an almost-kept promise And the promise had — had — (silence again — but shorter this time, the song learning to tolerate the gap) Almost [Bridge] (everything drops to just voice — no instruments, just her and the search) Mẹ ơi — mother What was the word you used When I was small For the feeling of the rain stopping And the air afterwards Being a different country Than the air before (pause) It wasn't mưa — that's just rain It wasn't tạnh — that's just stopping It was something else A word that lived in the space Between the rain and the not-rain A word that smelled like the sound Of a page being turned In a room where the reading Has become the weather (piano returns — single notes, tentative) And I've been looking for it Since I landed in Paris Since I left the language That held it The way you leave a house And realize the keys Are still on the table Inside the locked room And the room is the word And the word is the key And the key is on the tip Of a tongue That is standing in the rain In Paris Reaching (long pause) (clarinet — very quietly — plays the phrase it's been searching for the entire song) (it found it) (but the word itself is never spoken) (strings enter — warm, resolved, the search settling into acceptance) Có lẽ một số từ — perhaps some words Are not meant to be found again Perhaps they exist Only in the looking And the looking is the word And the word was always The search itself (full strings — gentle, warm, the frustration dissolved into something tender) [Outro] (the piano plays confidently now — the hesitation gone, though the word never arrived) Bout de la langue (softly, smiling at the absurdity) Ở đầu lưỡi Trên đầu lưỡi On the tip On the very tip (the clarinet plays its found phrase one more time — complete, clear, unnamed) Tôi nhớ cảm giác đó — I remember the feeling of it And the feeling is enough (piano and clarinet fade together — in agreement, in the space where the word used to be) (silence — but a warm silence, the silence of something accepted)