The Loves, Vol II: The Strange Middle · Track 15 · middle
The Three-Year-Old Outranks Everyone
The playful parental dynamic — the toddler whose authority is absolute and whose courtroom is the kitchen floor.
Lyrics
[Verse 1] She pointed at me across the living room and said you are a rhinoceros with the absolute authority of someone who has been alive for thirty-seven months and has never once been wrong I am a neurosurgeon I have degrees I have publications I have a reputation for precision that spans three hospitals and two countries I got on all fours immediately [Verse 2] The rules of the game were explained to me in a language that does not exist outside this apartment The sofa is the river The carpet is the savannah The kitchen threshold is the border between the part of Africa where rhinoceroses live and the part where the juice boxes are and the juice boxes are not part of the game but are available to rhinoceroses who have been good I accepted these terms without negotiation which is the opposite of everything I do on Mondays [Pre-Chorus] My prefrontal cortex the part that evaluates and judges and maintains my professional reputation went somewhere else for forty minutes It did not resign It just went to lunch the way it does at the pottery wheel but faster and on all fours and with sound effects [Chorus — full brass, wild] The three-year-old outranks everyone Her authority is not earned it is assumed the way gravity is assumed and equally non-negotiable She said be a rhinoceros and I was a rhinoceros She said the rhinoceros is sleeping now and I lay on the carpet with my eyes closed and she put a blanket on me that was actually a napkin and said shhh the rhinoceros is tired and I was tired I was genuinely tired and the napkin was genuinely warm and for eleven seconds I was asleep on a carpet in someone else's apartment under a napkin being loved by a person who has no idea what a neurosurgeon is and does not care [Verse 3] The game ended the way all games with three-year-olds end abruptly without warning mid-sentence She saw a bird outside the window and the rhinoceros ceased to exist and I was myself again which was a smaller thing to be I sat on the floor for a moment before standing the way you sit in a theatre after the lights come up not ready to rejoin the version of the world that has a schedule [Bridge] I do not have children which means the play is always borrowed I give it back at the end of the afternoon I give back the rhinoceros the savannah the napkin-blanket the eleven seconds of being asleep and loved by someone who has not yet learned to love conditionally Borrowed play is the purest kind because it expires and the expiration makes each minute more specific than a minute that will repeat tomorrow Her parents have the schedule They have the 2 a.m. They have the fever and the worry and the night I have the rhinoceros and the forty minutes and the napkin and I am not pretending this is enough I am saying this is what I was given and it was the most accurate description of love I have encountered since page 342 [Final Chorus — full brass, joyful then softening] The three-year-old outranks everyone and she is right to because the ranking system she uses is the only one that works She does not rank by degree or publication or steady hands She ranks by willingness to get on the floor And I got on the floor I got on all fours and I charged the sofa and the sofa was the river and I was the rhinoceros and she was laughing and the laughing was the peer review and I passed and for forty minutes on a Saturday afternoon in someone else's apartment on someone else's carpet under a napkin that was also a blanket I was not a surgeon I was not a scientist I was not precise I was a rhinoceros and the rhinoceros was enough