The Loves, Vol II: The Strange Middle · Track 20 · middle
Every Room I Have Ever Entered Had a Song Already Playing
Music love: the love of the soundtrack, the room you walk into and the song already meeting you.
Lyrics
[Verse 1 — slow waltz, accordion alone] The first music was not music It was Ba ngoai humming while the rice cooked a melody with no name that went nowhere in particular and arrived everywhere Ru con ru con she hummed it like breathing three notes and a rest three notes and a rest the rest was where the rice listened back I did not know it was music until years later when I heard a cello play the same three notes in a concert hall in Lyon and my body stood up before my mind gave permission [Verse 2 — waltz quickening, clarinet joins] The second music was a French pop song on a cassette my mother brought back from a trip I was not told about I did not speak French I did not understand a single word and I danced in the kitchen for eleven minutes which was both sides of the tape My feet understood before my vocabulary arrived and that is still true The body is the first translator The body does not wait for subtitles [Pre-Chorus — tempo lifting, trumpet enters] Every room I have ever entered had a song already playing My mother's kitchen had the cassette The schoolyard had the girls clapping The airport had the departure hymn of footsteps and rolling wheels and Paris Paris had everything at once [Chorus — full band, 132 BPM swing] I love music the way I love air which is to say I forget I love it until someone takes it away and then every room is a room with furniture missing and every silence is the wrong kind of silence and my hands start conducting something that is not there I love music because it is the only language that does not require my accent to be correct I can sing in French and the vowels forgive me I can sing in Vietnamese and the tones remember me I can sing in no language at all and the melody carries what the words refused to [Verse 3 — full band, swinging] The night I arrived in Paris I had two suitcases and no address for the morning and a cafe on Rue Oberkampf had its doors open and a band was playing something between jazz and argument and I sat on the pavement with my luggage and listened for forty minutes and that was my first lease A man with a trumpet played a phrase that sounded like a question he had been asking for years and I thought I have been asking that same question in a different language and the trumpet does not care which language the question was born in [Bridge — pulls back, accordion and clarinet only] Every part of me responds at once when the music is right My fingers move My spine adjusts My jaw releases something it was holding since the morning and my eyes close not to sleep but to see the sound more clearly I cannot explain this and I do not need to The grandmother humming over rice did not explain it either She just hummed and the kitchen became the first concert hall I ever attended and I have been attending ever since [Final Chorus — full band, joyful] I love music the way I love breathing which is badly and constantly and without technique and with my whole body and with the body Ba ngoai gave me which is the body that heard the first hum and has been leaning toward every sound since Every room I have entered had a song already playing and I have never once walked out and I will walk into rooms for the rest of my life listening for the song that is already there and if the room is silent I will hum three notes and a rest three notes and a rest and the room will have its music and the music will be hers