The Loves, Vol II: The Strange Middle · Track 21 · middle
The Dead Stay Useful in the Kitchen
Culinary love: ancestral recipes, the dead grandmother's hand on yours when you fold the dough.
Lyrics
[Verse 1] Tuesday is the day I cook Not because Tuesday means anything but because Ba ngoai cooked on Tuesdays and when I asked her why she said because Wednesday needs something to look forward to The market on Rue d'Aligre has a woman who sells lemongrass that smells almost right Almost is close enough when you are six thousand miles from the original I buy ginger by the hand not the gram because Ba ngoai measured ginger by how it felt in the fist and the fist was the first scale [Verse 2] Giai vi nhu Ba day I season the way grandmother taught which is to say I season without measuring which is to say I season by listening to the oil The oil has a voice Before the garlic it whispers With the garlic it talks After the lemongrass it sings and if you have missed the singing you have waited too long and Ba ngoai would know from the next room by the sound alone that you waited too long She never entered the kitchen to correct me She just cleared her throat from the chair and that was enough [Pre-Chorus] Nau an la noi chuyen voi nguoi da mat Cooking is talking with the ones who left The recipe is the language The heat is the grammar The salt is the punctuation and the grandmother is the accent you can never quite reproduce [Chorus] The dead stay useful in the kitchen Their hands are in my hands when I bruise the lemongrass with the back of the knife at the angle she showed me when I was seven and the kitchen was in Hue and the lemongrass was from the garden not from Rue d'Aligre I cook and the apartment fills with a smell that does not belong to this century or this country and the neighbors knock sometimes and I say it is just dinner but it is not just dinner it is a woman who has been gone for twelve years refusing to leave the one room where she is still needed [Bridge] Canh chua ca sour fish soup Her version not the restaurant version not the version that explains itself to tourists Her version that assumes you already know why the tamarind is there and does not apologize for the bones I leave the bones in the way she left them in Not because they add flavor which they do but because removing them would be editing her and I do not edit the dead The broth takes four hours I have a phone and a window and the sound of something becoming what it was always supposed to become and four hours is not a long time to spend with someone you miss [Final Chorus] The dead stay useful in the kitchen Their timing lives in my wrists The flip of the crepe the shake of the pan the moment the caramel turns from patience to attention are all inherited gestures from a woman who is standing right behind me every Tuesday in a kitchen in Paris that smells like Hue and I am not sad I am accompanied Nau an la yeu thuong Cooking is love She never said it She just cooked and the cooking said it every time