The Loves, Vol III: The Wound · Track 23 · middle
Apology
Apology love: love expressed through the long-overdue 'I was wrong' that takes the whole song to land.
Lyrics
[Intro] (a doorbell — one press, then waiting, then the weight of the waiting) (piano — a single note, then another, spaced like footsteps approaching something they broke) (the space between the notes is the apology before the apology) [Verse 1] (Sisukiro — raw, no performance, the voice cracked open like a door she's standing in) I practiced this in the mirror And the mirror was patient And the mirror forgave me immediately Which is why mirrors Are not useful preparation For the actual face That is not a mirror That is a person That I hurt With a thing I said That I cannot unsay The way you cannot Unpour a glass of wine From a white tablecloth You can only point at the stain And say I did that That was mine [Pre-Chorus] (muted trumpet — one phrase, arriving the way apologies should — late enough to mean it) And the I did that Without a but Without a because Without the clause That the lawyers in my head Keep trying to attach Like a trailer To a sentence That needs to travel light I did that Period The heaviest punctuation I have ever placed [Chorus] (piano and trumpet — nothing more, the space around them enormous) L'amour de l'excuse, l'amour de l'excuse The love that kneels without knowing if the floor will hold L'amour de l'excuse, l'amour de l'excuse I am not here to explain I am here to be seen Holding the thing I broke Not hiding it behind my back Not wrapping it in reasons Just holding it In the light Where you can see That my hands are the ones That did this And my hands are the ones That are here [Verse 2] (just voice — no instrument, the most naked moment) The hardest word in any language Is not I love you I love you has momentum It carries itself down hills The hardest word Is I was wrong Which has no momentum Which sits in the mouth Like a stone That you must carry Up every step Of the staircase To the apartment Where the person You were wrong to Lives And the staircase Has never been longer Than tonight I rang the bell And you answered Which was not guaranteed The answering Was your gift Not mine My gift Is the stone in my mouth And the walk up the stairs And the standing here With nothing prepared Except the truth Which is not a gift exactly But it's all I brought And I carried it The whole way up [Chorus] (piano and trumpet and now accordion — one chord, sustained, the warmth of a room that might let you in) L'amour de l'excuse, l'amour de l'excuse The love that kneels without knowing if the floor will hold L'amour de l'excuse, l'amour de l'excuse I am not here to be forgiven Forgiveness is your song Not mine I am here to say The stain is mine The stairs are mine The stone is mine And I climbed And I rang And I'm standing here Which is the only verb An apology Has the right to conjugate [Bridge] (piano alone — three chords, simple, the speech she threw away replaced by something smaller and truer) I don't know if this changes anything I don't know if the tablecloth Is the kind that recovers Or the kind that remembers But I know that the walking here In the rain At this hour With this stone Is the only thing My hands can do tonight That is honest And if you close the door I will have still climbed the stairs And the climbing Was the apology The words are just The translator And the translator Is always late And always imperfect And always Better than silence [Outro] (piano — the two notes from the intro, but closer together now, the footsteps having arrived) (trumpet — one last phrase, not resolving, not asking to resolve, just present) (Sisukiro, the quietest she's ever been:) L'amour de l'excuse I did that I'm here (a door — not closing, not opening, just the sound of two people standing on either side of a threshold) (the piano holds one note) (the note doesn't ask for anything) (it waits)